Ocean's Thirteen (DVD)

Danny Ocean rounds up the boys for a third heist, after casino owner Willy Bank double-crosses one of the original eleven, Reuben Tishkoff.

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I was a late comer to the 'Oceans' films and have consequently watched all three close together, I have not been dissappointed. Each film has added something extra to the mix whilst keeping the original charm of the band of villans. In each fil I have been pleasently surprised with the twists managed, I didn't see them coming. In my opinion a must to own, would highl recomend to anyone wanting a good night in.

Excellent,smart,sleek and funny film.I've bought it because I've seen the first two films-Ocean's Eleven and Ocean's Twelve and actually didn't expect that one to be so good.I am very happy with m purchase.

Usually the first film(Ocean's eleven) is the best,but in that case I think that Ocean's thirteen might be the best of the three films.Sleek,smart and funny.I bought it because I've seen Ocean's Eleven and Twelve and it turned out to be an excellent purchase.

WOULD LOVE TO WRITE A REVIEW, BUT CAN'T AS I DID'NT RECEIVE THIS ITEM, AND HAVE REPORTED TO E-BAY, AND HAVE CONTACRED ORIGINAL SELLER, TO NO-AVAIL.

I'm satisfield:) Only DK subs that was missing, but i can live without that:)
Thanks for a nice trade:)

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Plot:

After their old chum Reuben Tischkoff (Gould) is double-crossed in a business deal and hospitalised, Danny Ocean (Clooney) reconvenes his charming gang of thieves and heads to Las Vegas to gain revenge on the man who put Ruben at death's door: shark-like hotelier, Willy Bank (Pacino). Their plan is simple: break the Bank by destroying his new multi-billion dollar hotel. However, it won't be that easy...

My Review:

It's good to note that sequels are not always as good as its predecessors, its could be down to the fact that the experience involves watching so many A-list stars having a whale of a time, whilst you sit at home bored senseless. This time the last inclusive heist finishes the trilogy with a smooth and slick close. Ocean's Eleven was a grand affair, new styles and overflowing with cool that really brought back the classic hustling movies with a touch more modern crust.

Ocean's Twelve felt like...well...futile! Incomplete and a fairly uninteresting stop-gap to make way for this finale that has more prominence. This time, Thirteen occasionally feels like a two-hour make-up for the all the French canoodling of Twelve, with less smug and more focus onto the gang themselves (no love interests here; Catherine Zeta-Jones and Julia Roberts despondently unavailable.) Newcomer Eddie Izzard takes the flight of fancy as electronics genius Roman Nagel, with the heist already meticulously and ingenuously underway, receives a very detailed briefing from Danny (George Clooney) and Rusty (Brad Pitt), who have become seriously stuck in their efforts to break 'The Bank', Willy Banks' (Al Pacino) hotel-casino. It's wreathed in flashbacks enclosed in more flashbacks, the camera-work is a bit shadowy and occasionally shot in dim-lit rooms. The plot becomes Byzantine and hard to follow as the first hour is the set-up for the bright and breezy ending.

This time, dir. Soderbergh ensures that the second half of the movie is bright, slick, ravishing and opulently entertaining. Jazzed up camera-work gets underway, performances get spruced up and the movie climaxes towards its conclusion as the complicated plots and subplots all coalesce to work well as clockwork, with twists upon twists, punch line following punch line and big pay-off pursuing even bigger pay-off. The third outing gives us all the belated lightness of touch to a sighed and blessed relief that works well. The result is the first genuinely enjoyable movie, Ocean's Thirteen is about gloss and glitz.

Verdict:

Sharp and witty. Funny and slick; more entertaining than it's predecessor. 7.5/10.

The ties are off and the collars are out for this breezy third entry in the slick crime caper serial in which the ever-smug Danny Ocean (George Clooney) and his misfit band of thieves are starting to feel the pinch of old age. When bespectacled oldster Reuben (Elliot Gould) has a heart attack after being duped out of some lucrative Vegas real estate by hotel developer Willy Banks (an unusually demure Al Pacino), Danny and the boys are drafted in to bust him down a few pegs.

There’s a sense that the filmmakers have taken note of criticisms aimed at the sub-par ‘Ocean’s Twelve’ (love interests and pop cultural references are a no-show), though in doing so they seem inadvertently to have remade ‘Ocean’s Eleven’. Thematically, though, this is an improvement on its forebears, mainly due to the way it deals – much like Scorsese’s best work – with the archaic nature of the criminal set: gadget men puzzled by advancing technology; eyes rolled at witty one-liners; action sequences cut through with ruminations on ‘the good old days’.

Even Soderbergh’s once-agile camera seems a little more sedate than usual, perhaps finding the industrious director in a more plaintive mood after a string of coolly-received projects. But whether the ‘Ocean’s…’ franchise is really going to fold will surely be for the box office – and not that big craps table in the sky – to decide.