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Who's Next [Remastered] (The Who, 2000) 
The Who - Who's Next [Remastered] (CD 2000)

 
The Who - Who's Next [Remastered] (CD 2000)

Title: Who's Next [Remastered]
Artist: The Who
Record Label: Polydor
Release Year: 2000
EAN: 0731452776020
Genre: Rock/Pop
Product ID: EPID3955372
Description: The Who: Roger Daltrey (vocals); Pete Townshend (guitar, piano, organ, ARP synthesizer, background vocals); John Entwistle (French horn, piano, bass, background vocals); Keith Moon (drums, percussion).Additional personnel: Leslie West (g...
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Track Listing
1. Baba O'Riley
2. Getting In Tune
3. Love Ain't For Keeping
4. My Wife
5. Song Is Over
6. Bargain
7. Going Mobile
8. Behind Blue Eyes
9. Won't Get Fooled Again
10. Pure And Easy
11. Baby Don't You Do It
12. Naked Eye
13. When I Was A Boy
14. Too Much Of Anything
15. I Don't Even Know Myself
16. Let's See Action

Details
Number of CDs:1
Producer:Glyn Johns, Kit Lambert, The Who
Recording Type:Mixed
Distributor:Universal Music
Recording Mode:Stereo
SPAR Code:AAD

Album Notes
The Who: Roger Daltrey (vocals); Pete Townshend (guitar, piano, organ, ARP synthesizer, background vocals); John Entwistle (French horn, piano, bass, background vocals); Keith Moon (drums, percussion).Additional personnel: Leslie West (guitar); Dave Arbus (violin); Nicky Hopkins (piano); Al Kooper (organ).Producers: The Who, Kit Lambert. Reissue producer: Jon Astley.Principally recorded at Olympic Studios, England in 1971. Originally released on Decca (79182). Includes liner notes by Pete Townshend and John Atkins.The follow-up to Tommy would always provide Pete Townshend with an artistic dilemma, and two years passed before the Who unleashed their next studio album. The wait proved worthwhile and taking the best from the aborted Lifehouse project, Townshend added a handful of urgent new songs to create one of his group's finest releases. Synthesizer obbligatos and acoustic guitars provide occasional counterpoints to the quartet's accustomed power, a contrast emphasizing their sense of dynamics. "Won't Get Fooled Again," "Behind Blue Eyes" and "Baba O'Riley" were each destined to become integral parts of the Who's 70s lexicon, as vital as "My Generation" had proved from the previous decade. WHO'S NEXT set a hard rock standard that even its creators struggled to emulate.

Editorial Reviews
Included in Q Magazine's 100 Greatest Albums Ever
Q (01/01/2003)

4 stars out of 5 - WHO'S NEXT is The Who's most polished album, its hook-ridden songs pioneering the use of rock synthesizers without diluting the power-quartet attack that had defined the group since the mid-60s...
Mojo (05/01/2003)

4 Stars - Excellent - Considered by many to be the band's best, 1971's WHO'S NEXT was their only Number 1 album...
Q (01/01/1996)

...intelligently-conceived, superbly-performed, brilliantly produced, and sometimes even exciting rock'n'roll...
Rolling Stone (09/02/1971)

Ranked #99 in NME's list of the `Greatest Albums Of All Time.'
NME (10/02/1993)

Ranked #21 in NME's list of the `Greatest Albums Of The '70s.'
NME (09/18/1993)

...what they have given up in rawness and razzle-dazzle they have gained in depth of vision and musical maturity. Every cut on the album has something to offer...
Rolling Stone (09/30/1971)

Ranked #21 in NME's list of the `Greatest Albums Of The '70s.'NME (10/2/93, p.29) - Ranked #99 in NME's list of the `Greatest Albums Of All Time.'Q (1/03, p.62) - Included in Q Magazine's 100 Greatest Albums EverRolling Stone (9/2/71, p.42) - ...intelligently-conceived, superbly-performed, brilliantly produced, and sometimes even exciting rock'n'roll... Rolling Stone (9/30/71, p.42) - ...what they have given up in rawness and razzle-dazzle they have gained in depth of vision and musical maturity. Every cut on the album has something to offer...Q (1/96, p.158) - 4 Stars - Excellent - Considered by many to be the band's best, 1971's WHO'S NEXT was their only Number 1 album...Mojo (5/03, p.110) - 4 stars out of 5 - WHO'S NEXT is The Who's most polished album, its hook-ridden songs pioneering the use of rock synthesizers without diluting the power-quartet attack that had defined the group since the mid-60s...
NME (09/18/1993)


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