
Spirits in a material world

U2 has always been a band dedicated not only to making good rock music, but also to say something important about the world we live in. And having said that, this album is probably their most 'political' since 'War'.
Most of the tracks are dealing with superficial materialism, consumption and greed contra spirituality and humanism. Even the design of the CD-cover reflects this by using the same kind of graphic art that Andy Wharol used when he made his pop-art (pop-mart): media 'reality' is actually made of nothing more than 'dots' if we go myopic, but on distance it gives an illusion of reality. There are also a lot of religious references to Jesus, Mother (Mary) and Father (God) in the lyrics.
The music starts with the track 'Discoteque' which is maybe an attempt to make a hit for the dance floor and at the same time beeing ironic about vulgarism. Track #3 'Mofo' is also made for the dancefloor, but more for the techno/dance-scene. Very strong lyrics on this one. Traditional U2 is served in #4'If God will send his angels' and even on further tracks until we get to #8 Miami. Here we are in a world of vulgar overconsumption again, not unlike in Las Vegas and 'The playboy mansion'#9 is about the same.
The best tracks are #11 'Please': a desperate song about keeping the faith in life (great guitarplay by the Edge)#3 'Mofo' and #7 'Gone' (very typcal U2).
All in all you get both new and old U2 on this CD. They try to develop and change their music expression, but at the same time keeping a lot of the U2 sound we are so familiar with. Most of the tracks on this CD are quality stuff, but compared to other U2 albums, 'Pop' is not their absolute best. Since U2 has always been delivering really great productions each time (I'm a big fan myself) it's important to make the right comparison.
They have also changed studio crew. No Daniel Lanois and no Brain Eno or Steve Lillywhite. Flood is in control of course, but in addition Howie B is engaged with the obvious intention of more emphasis on new impulses from rap and rhythm music. Some people have blamed the less positive reception of this record on this fact, but I think that's unfair. This record is absolutely a very good production, not as good as 'Achtung baby' but better than 'Zooropa'
Review ID: 10000000004527970

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