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Pink Floyd - Pink Floyd In London ...
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Pink Floyd In London 1966-1967 [ECD] (Pink Floyd, 1999) 
Pink Floyd - Pink Floyd In London 1966-1967 [ECD] (CD 1999)

 
Pink Floyd - Pink Floyd In London 1966-1967 [ECD] (CD 1999)

Title: Pink Floyd In London 1966-1967 [ECD]
Artist: Pink Floyd
Record Label: See For Miles
Release Year: 1999
EAN: 5014661019665
Genre: Rock/Pop
Product ID: EPID3991102
Description: This is an Enhanced audio CD which contains regular audio tracks and multimedia computer files.Pink Floyd: Syd Barrett, Roger Waters, Nick Mason, Richard Wright.Recorded at Sound Techniques, London, England on January 11 & 12, 1967.This ...
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Pink Floyd - Pink Floyd In London 1966-1967 [ECD] 2CD
SUPER 20-BIT RECORDING CD AND CD ROM -CAT NO. SFM1966
Condition: Used
 
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Details
Number of CDs:1
Recording Type:Studio
Recording Mode:Stereo

Album Notes
This is an Enhanced audio CD which contains regular audio tracks and multimedia computer files.Pink Floyd: Syd Barrett, Roger Waters, Nick Mason, Richard Wright.Recorded at Sound Techniques, London, England on January 11 & 12, 1967.This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.This live recording provides a fascinating glimpse into the inner workings of one of the most innovative ensembles in rock history. There's a CD-ROM featuring a live video of Syd Barrett-era Floyd performing its barnstorming signature tune, "Interstellar Overdrive," as well as some additional period footage of the '60s "Swinging London" scene in which the group was immersed. The audio disc also features "Interstellar Overdrive" as well as another extended instrumental piece called "Nick's Boogie."It's important to remember that at the time of this performance--January 1967--the psychedelic revolution was still in its embryonic state, and progressive rock was years away. This makes what Floyd was doing all the more groundbreaking. Both pieces included here are epic-length improvisatory pieces that shift from spacy ambience to full-blown freakout and back again, using very basic tools. Synthesizers hadn't come on the scene yet, so Rick Wright relies strictly on his snake-charmer organ riffs to enhance the spooky, ethereal mood. Barrett utilizes pure, acid-drenched weirdness to make the most unearthly sounds possible with very little electronic enhancement. Legions of groups would take their cue from the advances made by Pink Floyd during this time, and IN LONDON makes it easy to see why.


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