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A Musical Marriage (Peggy Lee & Dave Barbour, 1999) 
Peggy Lee & Dave Barbour - A Musical Marriage (CD 1999)

 
Peggy Lee & Dave Barbour - A Musical Marriage (CD 1999)

Title: A Musical Marriage
Record Label: Jasmine
Release Year: 1999
EAN: 0604988035520
Genre: Pop Vocal
Product ID: EPID4064420
Description: Personnel includes: Peggy Lee (vocals); Dave Barbour (guitar).The Four Of A Kind: Dave Barbour (guitar); Buddy Cole (piano, celeste); Phil Stephens (bass); Tom Romersa (drums);Dave Barbour Quintet: Dave Barbour, George Van Eps (guitar); ...
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Track Listing
1. I Let A Song Go Out Of My Heart
2. Travellin' Light
3. Swinging On A Star
4. Imagination
5. Oh You Crazy Moon
6. Aren't You Glad You're You
7. As Long As I'm Dreaming
8. Molly Malone
9. This Little Piggie Went To Market
10. But Beautiful
11. You're Driving Me Crazy
12. Goody Goody
13. This Can't Be Love
14. I Ain't Got Nobody
15. When A Woman Loves A Man
16. Fine And Dandy
17. Lonesome Road
18. You Bought A New Kind Of Love To Me
19. Glory Of Love
20. Melancholy Lullaby
21. Cottage For Sale
22. Takin' A Chance On Love

Details
Number of CDs:1
Contributing Artists:Lee, Peggy & Dave Barbour
Recording Type:Studio
Distributor:Cadillac; Proper
Recording Mode:Stereo

Album Notes
Personnel includes: Peggy Lee (vocals); Dave Barbour (guitar).The Four Of A Kind: Dave Barbour (guitar); Buddy Cole (piano, celeste); Phil Stephens (bass); Tom Romersa (drums);Dave Barbour Quintet: Dave Barbour, George Van Eps (guitar); Hal Schaefer (piano, celeste); Phil Stephens (bass); Nick Fatool (drums).Compilation producers: Geoff Milne, Paul Pelletier.Recorded at Radio Recorders, Los Angeles, California between May 1946 and April 1949. Includes liner notes by Paul Pelletier.All tracks have been digitally remastered.These 12 pieces of intimacy are radio transcriptions that were probably made sometime in the mid-1940s. Early signs of Peggy Lee's future style are intimated in her light and breathy vocals. Her delivery, though emotionally rich, as on "I've Had My Moments" and the moving "Don't Blame Me," lacks the expressive gravity she would possess in a couple of years, though her perfect sense of time is apparent on rhythm specialties such as "Nice Work if You Can Get It." In due time she would mastermind the qualities of emotional projection and rhythmic devices to solidify a powerhouse style that would take her performances to the heights of musical success. Nevertheless, listening to these performances, one recognizes Peggy Lee's embryonic genius.


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