
Macca comes up with the goods
2 of 2 people found this review helpful.
A new Paul McCartney album is usually approached with certain amount of trepidation, especially with Sir Paul's tendency to lean towards all things cheesy, and sometimes of the extra mature, vintage farmhouse type. But what's going on here? Is this really the McCartney we all know and love/hate?? Once you recover from the shock and give it another listen (preferably with decent speakers or headphones) you should discover subtle, and often beguiling elements in both the songs and the overall production. Nigel Godrich certainly has a lot to be thanked for in his shaping of the album by not letting Paul get things entirely his own way, and exercising a greater sense of quality control on the material than usually observed on previous albums. And as he did with Beck on his 'Mutations' album, he has tempted McCartney out of his usual comfort zone.
'Fine Line' is the only song that really has single written all over it, one of the few genuinely upbeat numbers along with 'Promise to You Girl', both piano-driven rockers. 'How Kind of You' betrays Nigel Godrich's touch more obviously than the rest and almost sounds like it could be Coldplay. The standout tracks for me are 'Jenny Wren' (an acoustic classic complete with unusal wind instrument), 'Too Much Rain', 'Riding to Vanity Fair' and 'At the Mercy', maybe because these explore an oft-neglected territory for McCartney, a deeper emotional statement than his usual head-in-the-clouds optimism, with no really 'big' choruses, but little twists and turns (like the unsettling chord change at the beginning of 'This Never Happened Before', slightly reminiscent of 'Yesterday' where he departs from the home key almost immediately) that will soon be nagging at your brain and demanding another listen.
'Follow Me' is one of the weaker tracks on the album, that's not to say it's a bad song, it's a solid album track, but the lyrics are slightly contrived and even Paul doesn't sound convinced when he sings them. I'm not sure if I'll ever really warm that much to 'English Tea', (have a word, Nigel!), and the freeform 'jam' which constitues the hidden track ruins any atmosphere created by the heartfelt ballad 'Anyway'. But who knows, maybe after a few more listens (I'm currently on my 4th) I will discover other layers that I didn't hear before, such is the nature of the production.
So, can we expect more from this McCartney/Godrich team before Paul starts collecting his pension? I hope so.
Review ID: 10000000000048399

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