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David Bowie - Outside [Remastered] (CD 1999)

Track Listing
1. Leon Take Us Outside
2. Outside
3. Heart's Filthy Lesson
4. Small Plot Of Land
5. Baby Grace (A Horrid Cassette) (segue)
6. Hallo Spaceboy
7. Motel
8. I Have Not Been To Oxford Town
9. No Control
10. Algeria Touchshriek (segue)
11. Voyeur Of Utter Destruction (As Beauty)
12. Ramona A Stone/I Am With Name (segue)
13. Wishful Beginnings
14. We Prick You
15. Nathan Adler (segue)
16. I'm Deranged
17. Thru' These Architects Eyes
18. Nathan Adler #2 (segue)
19. Strangers When We Meet

Details
Number of CDs:1
Producer:Brian Eno, David Bowie
Recording Type:Studio
Distributor:Sony BMG/Arvato Services
Recording Mode:Stereo

Album Notes
Personnel: David Bowie (vocals, guitar, saxophone, keyboards); Reeves Gabrels, Carlos Alomar, Tom Frish, Kevin Armstrong (guitar); Mike Garson (piano); Erdal Kizilcay (keyboards, bass); Brian Eno (synthesizer); Yossi Fine (bass); Sterling Campbell, Joey Baron (drums); Bryony, Lola, Josey, Ruby Edwards (background vocals).Recorded at Mountain Studios, Switzerland.In the cyber-drenched 1990s, David Bowie once again proves himself ahead of the game. OUTSIDE is more a monumental collage of techno-war coldness than a mere album. Bowie combines the most essential pieces of each of his previous personas and musical styles to make OUTSIDE into an all-too-dense song-cycle with a story-line. Sound-wise, it is a closer musical approximation of "industrial" noise than the throbbing tones created by most young guns half his age.OUTSIDE begins with the premise that the action is taking place here and now ("not tomorrow"), in a fading industrial town in New Jersey, circa 1995. A place that is littered with characters facing inhuman desperation as "rejects from the world-wide internet," making plans to "lease the moon" above their shop. Musically, Bowie reaches for the same densely evocative landscapes that make OUTSIDE's themes so disconcertingly real. A perverse mish-mash of booming classical piano trills loop in and out of machine-like drums and Bowie's schizophrenic monologues. Through the different characters we see the horrible truths of our dying culture--romance, for instance, is brought down with the admission, "if there was only something between us...besides our clothes." OUTSIDE is happening right now, right here.

Editorial Reviews
...this is the best Bowie album in years....OUTSIDER shows Bowie can still let loose....Bowie...has not sounded this musical since SCARY MONSTERS...
Alternative Press (10/01/1995)

...a clattering, funk-based stream-of-consciousness sound collage....this 48-year-old man is closer to the futurist edge than most of the 18-year-old babies we regularly canonise in these pages...
Melody Maker (10/14/1995)

6 - Reasonably Good - ...his most substantial album since SCARY MONSTERS....There are few pop hooks and the dissonant, well-played arrangements often recall recent King Crimson...
Spin (10/01/1995)

3 Stars - Good - ...a potent collection of avant-garage riffs and rhythm notions....tense Euro-dance propulsion....layered circular-guitar locomotion....a ferociously distorted whirl of slaughterhouse jive...
Rolling Stone (10/19/1995)

7 (out of 10) - ...no, it isn't the hoped-for addition to the Eno/Bowie LOW, HEROES, LODGER avant pop run. It is more the rock opera of DIAMOND DOGS minus the glam, plus the F-f-f-fashion funk and the S&M Gilbert & Sullivans. A bit sicko, a bit Dickensian, a bit future-past...
NME (09/23/1995)

3 Stars - Good - ...A bold and fascinating trip to offer his devoted listenership. OUTSIDE is undoubtedly Bowie's most dense and uncompromising work since SCARY MONSTERS...and, as suggested on BLACK TIE WHITE NOISE it's clear that he is once again imaginatively sparking with life...
Q (10/01/1995)

3 Stars - Good - ...a potent collection of avant-garage riffs and rhythm notions....tense Euro-dance propulsion....layered circular-guitar locomotion....a ferociously distorted whirl of slaughterhouse jive...Spin (10/95, pp.116-117) - 6 - Reasonably Good - ...his most substantial album since SCARY MONSTERS....There are few pop hooks and the dissonant, well-played arrangements often recall recent King Crimson...Q (10/95, p.113) - 3 Stars - Good - ...A bold and fascinating trip to offer his devoted listenership. OUTSIDE is undoubtedly Bowie's most dense and uncompromising work since SCARY MONSTERS...and, as suggested on BLACK TIE WHITE NOISE it's clear that he is once again imaginatively sparking with life...Melody Maker (10/14/95, p.39) - ...a clattering, funk-based stream-of-consciousness sound collage....this 48-year-old man is closer to the futurist edge than most of the 18-year-old babies we regularly canonise in these pages...NME (9/23/95, p.46) - 7 (out of 10) - ...no, it isn't the hoped-for addition to the Eno/Bowie LOW, HEROES, LODGER avant pop run. It is more the rock opera of DIAMOND DOGS minus the glam, plus the F-f-f-fashion funk and the S&M Gilbert & Sullivans. A bit sicko, a bit Dickensian, a bit future-past...Alternative Press (10/95, p.63) - ...this is the best Bowie album in years....OUTSIDER shows Bowie can still let loose....Bowie...has not sounded this musical since SCARY MONSTERS...
Rolling Stone (10/19/1995)

Reviews
  ENO BACK THE GENIUS BACK
Review created: 25/02/08

Like a lot of early Bowie fans I gave up in dispair of him ever making another great album after Scarey monsters until the arrival of his most recent albums Heathen and Reality. But what I had missed during this long period of average pop and bland rock is this album Outside and what a surprise. This is probably his most adventurous and imaginative album to date, you may need to play it through about five times to get used to some of the stanger material, but it will be worth it as it is as adictive, I have played Outside at least fifty time and still injoy it.
As with Bowies other great albums it does not fit in to any one particular catigory, but you may find the odd reminders from the previous three Bowie/Brian Eno collaborations, although this time the mood is darker and more mysterious. There are still the great Bowie hook songs interlaced with the increadable sound that only Brian Eno seems to know how to make.
My view is that working with such notables as Brian Eno and Tony Visconti inspires the genius and the desire to make great music. This definatly one to go with the collection of brilliant Bowie albums.


Review ID: 10000000005796507
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  david bowie experimental and great .
Review created: 11/02/08

great album . many hidden gems , produced by eno . bowie at his experimental best . standout tracks include , i'm deranged , i have not been to oxford town ,strangers when we meet . includes some beautiful musicianship especially the mike garson on piano , recalling his work on alladinsane


Review ID: 10000000005610739
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  Good title
Review created: 08/06/07

I think that Bowie was literally 'outside the norm' when recording this album, he was experimenting with a lot of different and strange character voice techniques. Album took a little time to appreciate as instantly liked 'Hours' which have also just purchased from ebay. However the title track is excellent and enjoying album and recommend to those Bowie fans who were with him in the 70's and 80's and had a little break from his music ... get listening to his more recent releases they are brilliant he is a very talented man who has moved with the times and kept a core fan base with excellent taste and a tinge of humour of course!


Review ID: 10000000003768288
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  David Bowie - 1. Outside
Review created: 03/03/07
by:

This is Bowie at his experimental and conceptual best. Its a sleazy futuristic sci-fi record that brings Brian Eno back and has many of the songs credited to the whole band. Ignore the weedy limp-arsed Pet Shop Boys mix of Hallo Spaceboy, the album version here thunders along. There's plenty of technology used here, but it still has a rock edge thanks to Reeves Gabrels brilliant guitar work. Bowie also mess's with his vocals again as he did on After All (The Man Who Sold The World album)and a great number of other songs (we don't mention The Lauging Gnome).
Its a long album, but give it 6 full listens and you'll be hooked.


Review ID: 10000000003058018
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