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Screamin' The Blues (Rudy Van Gelder Remasters) (Oliver Nelson) 
Oliver Nelson - Screamin' The Blues (Rudy Van Gelder Remasters) (CD 2006)

 
Oliver Nelson - Screamin' The Blues (Rudy Van Gelder Remasters) (CD 2006)

Title: Screamin' The Blues (Rudy Van Gelder Remasters)
Artist: Oliver Nelson
Record Label: Concord, Universal
Release Year: 2006
EAN: 0888072300132
Genre: Jazz Instrument
Product ID: EPID59456610
Description: Personnel: Oliver Nelson (alto & tenor saxophones); Eric Dolphy (alto saxophone, bass clarinet); Richard Williams (trumpet); Richard Wyands (piano); George Duvivier (bass); Roy Haynes (drums).Originally released on New Jazz (8243).Person...
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Track Listing
1. Screamin' The Blues
2. March On March On
3. Drive
4. Meetin'
5. Three Seconds
6. Alto-itis

Details
Number of CDs:1
Producer:Esmond Edwards
Recording Type:Studio
Distributor:Universal Music
Recording Mode:Mono

Album Notes
Personnel: Oliver Nelson (alto & tenor saxophones); Eric Dolphy (alto saxophone, bass clarinet); Richard Williams (trumpet); Richard Wyands (piano); George Duvivier (bass); Roy Haynes (drums).Originally released on New Jazz (8243).Personnel: Oliver Nelson (alto saxophone, tenor saxophone); Eric Dolphy (bass clarinet, alto saxophone); Richard Williams (trumpet); Richard Wyands (piano); George Duvivier (upright bass); Roy Haynes (drums).Recording information: Van Gelder Studios, Englewood Cliffs, New Jersey (1960).Composer and saxophonist Oliver Nelson holds to his usual high caliber of writing and playing on 1960's SCREAMIN' THE BLUES. Five of the six cuts are penned by Nelson (including the breakneck "Alto-Itis" and the soul-jazz influenced "The Meetin'"). All the tunes mine a solid, blues-based bop feel, with memorable themes and plenty of room for the musicians to stretch out. Nelson's sax work is quite strong, his bright tone and uncluttered, lyrical approach soar over tight-knit backing from Roy Haynes (drums), George Duvivier (bass), and Richard Wyands (piano).However, it is the presence of lead horns Richard Williams (trumpet) and the incomparable Eric Dolphy (on alto sax and bass clarinet) that really distinguishes SCREAMIN' THE BLUES. Williams's technique (which owes a lot to Dizzy Gillespie) offers a nice tonal contrast to the complex interplay between Nelson and Dolphy. But while Nelson holds his own, Dolphy's elastic lines, witty interpolations, and stunningly fluid acrobatics ultimately steal the show.


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