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Loose (Nelly Furtado, 2006) 
Nelly Furtado - Loose (CD 2006)

 
Nelly Furtado - Loose (CD 2006)

Title: Loose
Record Label: Mercury
Release Year: 2006
EAN: 0602498539194
Genre: Rock/Pop
Product ID: EPID53314704
Description: Includes 2 bonus tracks.On her third studio album, LOOSE, Nelly Furtado largely abandons the bohemian vibe of previous outings, opting for an energetic, club-ready sound said to be influenced by the time she spent recording in Miami. The...
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Page 1 of 1
Track Listing
1. Afraid - Furtado, Nelly & Attitude
2. Maneater
3. Promiscuous - Furtado, Nelly & Timbaland
4. Glow
5. Showtime
6. No Hay Igual
7. Te Busque - Furtado, Nelly & Juanes
8. Say It Right
9. Do It
10. In God's Hands
11. Wait For You
12. All Good Things (Come To An End)
13. Let My Hair Down (bonus track)
14. Somebody To Love (bonus track)

Details
Number of CDs:1
Producer:Danja, Lester Mendez, Ri, Timbaland
Recording Type:Studio
Distributor:Universal Music
Recording Mode:Stereo

Album Notes
Includes 2 bonus tracks.On her third studio album, LOOSE, Nelly Furtado largely abandons the bohemian vibe of previous outings, opting for an energetic, club-ready sound said to be influenced by the time she spent recording in Miami. The Canadian-born singer-songwriter approaches this significant change with wild abandon, as revealed on the sensual singles "Promiscuous," a remarkably catchy dance-pop tune that features Timbaland, and "Maneater," a leering, techno-tinged track. The percussive "No Hay Igual" finds Furtado delving into reggaeton, while "Te Busque" presents the soulful vocalist performing a melancholy duet with Colombian heartthrob Juanes. Though some Furtado fans may initially be perplexed by this dramatic sonic shift, repeated listens reveal the record's charms, particularly on the soaring, synth-laden opener "Afraid" and "All Good Things (Come to an End)," a thoughtful pop ballad co-penned by Coldplay's Chris Martin (who was once rumored to be her boyfriend). An unpredictable and assured album, LOOSE proves that Furtado can wander down unfamiliar stylistic roads and return with fascinating results.

Top Reviews
  LOVE IT
Review created: 16/07/08
11 of 11 people found this review helpful.

I`M A NEW FAN OF NELLY FURTADO SINCE SHE STARTED RECORDING WITH TIMBALAND HER SONGS ARE MUCH MORE "GROWN UP" AND SHE JUST ROCKS
LOVE ALL THE ALBUM THOUGH MY ALL TIME FAVOURITE IS "SAY IT RIGHT" TOGETHER WITH TIMBALAND
IT IS SUCH A CLASSIC TUNE ! I LISTEN TO IT ANYTIME I FELL DOWN AND I NEED SOME TIME TO RELAX
I WOULD 100% RECOMMEND THIS ALBUM IT IS WORTH EVERY PENNY AND I`M SURE YOU WILL LIKE THE SAME AS ME EVEN IF YOU DIDN`T LIKE NELLY BEFORE
CHEERS


Review ID: 10000000007992912
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  Nelly Furtado - Loose, Whoa, Nelly!
Review created: 10/07/07
12 of 13 people found this review helpful.

Nelly Furtado's Whoa, Nelly! is one of those albums that's designed to be a surprising, precocious debut -- the kind of record that's meant to make a listener exclaim, well, "whoa nelly" upon the first spin. From that first play, it's evident that Furtado is indeed an audacious songwriter, not at all hesitant to bare her emotions, tackle winding melodies, and bend boundaries to the point that much of the record sounds like folk-pop tinged with bossa nova and backed by a production designed for TLC. Clearly, this is a musician with big, serious ambitions, a notion that is supported not only by her naked lyrics but especially by her singing. Furtado is a restless vocalist, skitting and scatting with abandon, spitting out rapid repetitions, bending notes, and frequently indulging in melismas. This, more than anything, makes her a bit of an acquired taste, since her relentless vocalizing can obscure hooks that are nevertheless there. Once you appreciate (or grow to understand) her quirks, Whoa, Nelly! unfolds as a rewarding, promising debut, albeit one with its flaws. True, most of those flaws arise from its naïveté: a tendency to push too hard, whether it's in piecing together genres in attempt to create something original or lyrics that can sound a little sophomoric in their soul searching. These don't arrive in isolated instances, either -- they're wound into the songs themselves. You either choose to be annoyed by these quirks or become charmed by them, realizing it's a first album, and savoring the talent that's apparent on much of the album. Many of her blends of pop, folk, dance, and Latin are beguiling; she has a knack for strong pop hooks (particularly on "On the Radio," "Well, Well," and "Turn off the Light"); her lyrical imagery can be evocative; she has a sly sense of humor; and, when she doesn't get carried away, she's an inventive, endearingly eccentric vocalist. These are the things that endure after that first slightly bewildering spin of Whoa, Nelly! and those are the things that make you wonder where she goes from here.


Review ID: 10000000003996804
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