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Natural History: The Very Best Of Talk Talk (1990) 
Natural History: The Very Best Of Talk Talk (CD 1990)

 
Natural History: The Very Best Of Talk Talk (CD 1990)

Title: Natural History: The Very Best Of Talk Talk
Record Label: EMI
Release Year: 1990
EAN: 0077779397624
Genre: General
Product ID: EPID4010610
Description: Talk Talk: Mark Hollis (vocals, keyboards); Lee Harris (keyboards); Paul Webb (bass).Arranged in chronological order, NATURAL HISTORY is a collection that highlights Talk Talk's hugely successful singles. The first two tracks, "Today" an...
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Track Listing
1. Today
2. Talk Talk
3. My Foolish Friend
4. Such A Shame
5. Dum Dum Girl
6. It's My Life
7. Give It Up
8. Living In Another World
9. Life Is What You Make It
10. Happiness Is Easy
11. I Believe In You
12. Desire

Details
Number of CDs:1
Recording Type:Studio
Distributor:EMI
Recording Mode:Stereo

Album Notes
Talk Talk: Mark Hollis (vocals, keyboards); Lee Harris (keyboards); Paul Webb (bass).Arranged in chronological order, NATURAL HISTORY is a collection that highlights Talk Talk's hugely successful singles. The first two tracks, "Today" and "Talk Talk," both from the band's debut THE PARTY'S OVER, are high energy calling cards featuring their early trademarks--Mark Hollis' intriguing lyrics and oddly detached vocals, and a funky, thumping rhythm section. An edited version of "My Foolish Friend" follows, which shows a concerted effort to expand their musical palette, adding more space to their sound. With their second album, IT'S MY LIFE, the band began a long term relationship with producer Tim Friese-Greene, which saw them moving even further afield--see the weird, elephant-like effects on the spectacular "Such a Shame," which also features an wonderfully serpentine bass line. The next five tracks are from the band's third album, THE COLOUR OF SPRING, where they began to use more acoustic instruments, including some beautiful acoustic guitar on "Living in an Another World," and "I Don't Believe in You." "Desire," part of a three-song suite opening their fourth album, combines almost ambient passages with blistering guitar explosions in a truly unsettling song that ignores most of the rules of pop song construction.


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