
Not bad - a little disappointing.

I like Russel Crowe, on a good day. He can be a bit ponderous sometimes, method acting in the style of Marlon Brando but when it's overdone, it can be very annoying. His films are usually a cut above the rest though and generally, this was no exception. I liked the sound of a period, galleons at battle offering but was left a little disappointed. This is an attempt to copy the old classic style movie of the 40's and 50's. Swords, rum and a yo, ho, ho. On much of these counts it delivers but the limp plot lets it down. It seems to go nowhere as if the story was made up as it went along. Many modern films are of this ilk. There is some wonderful period Baroque music but this is un-sustained and the usual, standard, compulsory, composed sound-track keeps intervening as always. Very formulaic. The film seems obsessed with inflicted wounds and the repair thereof, pandering to the gore-hungry audience but never actually showing any. The visuals and graphics are as you would expect from a modern film, very well done, very over-done at an incredibly fast shot rate. Bits and bobs that just fleet over the eye and posed, choreographed sequences combine in the usual, overlong, mix-up of imagery that gives one a blinding headache. The characters are under-developed to such an extent that when they get killed, nobody really cares that much, in fact, it's hard to remember who they actually were. There are only two ships in the film, which is disappointing because one expects to see fleets of old galleons as opposed to just two lonely offerings. There are hints at sub-plots but they quickly flutter and die leaving one feeling rather cheated. Maybe I am being a bit over-critical. In it's favour, Russel Crowe is his usual, enigmatic self which keeps the limp plot afloat, the graphics, although in my opinion, always superficial to a film, are predictably good and the film makes a sincere attempt at re-creating the classic movie. Un-fortunately, modern film-making constraints have lead the film into the rather familiar area of special effects and shallow, instant-appeal tactics, rather that the development of key characters and the attention to plot development, which are the mainstays of all classic movies. A promising attempt but sadly just short of the mark. Sorry.
Review ID: 10000000014301737

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