
GREAT
4 of 6 people found this review helpful.
The word that probably describes the Madonna Empire and all of its riches best is "drive". Even if it's begrudgingly, you have to show Madonna the utmost respect when it comes to career longevity and pop accessibility. She was never, and still isn't, the best dancer, singer, actress or even all-round entertainer in the world, but her business savvy and fierce dedication to the ever-shifting sands of popular culture have undeniably secured her a place near the peak of golden pop history. And it is proven no better than with this cheerfully timeless compilation, containing her greater hits from the 1980s and slices of pure pop heaven she has undoubtedly yet to reach with her music since this Greatest Hits release.
As a latter-day Madonna fan ("Vogue" is the earliest memory of anything to do with her for me), I personally am not knowledgeable of the previous incarnations of Madonna's earlier efforts on this album. And though hearing these clubbier dance versions would have been a fitting homage to the background Madonna had emerged from in the New York club scene, it is no doubt ill-fitting with the rest of the pop tunes that pepper the album. It can also be said that these are the versions that resurface on the likes of VH1 and MTV, and seeing as Madonna owns the rights to every single song, perhaps the radio-friendly shorter cuts are how she prefers them (they certainly make fitting as many songs as possible onto a single CD compilation easier). However, be it Madonna spreading the wealth or cynically exploiting her fanbase (it is a Greatest Hits CD after all!), the ride on offer here is never short of glorious.
What undoubtedly set Madonna apart from her peers in the `80s was the club-friendliness with which her songs were produced. And with the `80s revival still in full, reverent swing, it is no wonder that Madonna's past work still earns more feet on the dancefloor than her more recent efforts (Ray Of Light and Confessions notwithstanding). Clean-cut hits like "Holiday", "Crazy For You" and "Borderline" have most likely doubled in their cheesiness, yet the guilt feels so pleasurable you'd be hard pressed not to fall back in love with them. However, what impresses most about the songs on offer is how consistent they are. Considering they cover four albums and two soundtrack assignments (though thankfully Who's That Girl? is duly forgotten about), by the time you reach the timeless "Vogue" (thank you, producer Shep Pettibone!) by way of the resonant "Like A Prayer" (still her best by a mile) and the Spanish-lite gossamer swirl of "La Isla Bonita" (surely the song of a million holiday romances), you'll quite frankly be tired out from not only knowing every single note but from dancing for about seventy minutes straight.
And this all has to do with Madonna herself as an artist. The reason that Immaculate stands taller than any other release in her pantheon is precisely because it captures Madonna's essence before she tried to get all post-modern and clever-clever on her fanbase. Its nostalgia goes back further than to the programming and production but also to the idea of pure pop music without political motive and controversy-baiting. It is nothing but pure unabashed escapism. The closest she gets to the kind of meter that influenced her later work is on the gymslip mum drama "Papa Don't Preach", which not only earned her the first Grammy vocal nomination of her career, but is held together by a buoyant melody and unmistakable arrang
Review ID: 10000000003018980

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