Track Listing
1. Aqualung
2. Cross Eyed Mary
3. Cheap Day Return
4. Mother Goose
5. Wond'ring Aloud
6. Up To Me
7. My God
8. Hymn 43
9. Slipstream
10. Locomotive Breath
11. Wind Up
12. Lick Your Fingers Clean
13. Wind Up (quad version)
14. Excerpts From The Ian Anderson Interview
15. Song For Jeffrey
16. Fat Man
17. Bouree
| Details | | Number of CDs: | 1 | | Producer: | Bernie A, Ian Anderson, Terry Ellis | | Recording Type: | Studio | | Distributor: | EMI Operations/CEVA Logistics | | Recording Mode: | Stereo |
Album Notes
This reissue of AQUALUNG includes a 15-minute interview and 5 bonus tracks. The booklet contains 20 pages of lyrics, photographs and reviews.Jethro Tull: Martin Barre (electric guitar, descant recorder); Ian Anderson (vocals, acoustic guitar, flute); John Evan (piano, organ, Mellotron); Clive Bunker (drums, percussion).Producers: Ian Anderson, Terry Ellis, Bernie Andrews, John Walters.Engineers: Allen Harris, Bob Conduct, Tony Wilson.All tracks have been digitally remastered using 20-bit technology.The leap from 1970's BENEFIT to the following year's AQUALUNG is one of the most astonishing progressions in rock history. In the space of one album, Tull went from relatively unassuming electrified folk-rock to larger-than-life conceptual rock full of sophisticated compositions and complex, intellectual lyrical constructs. While the leap to full-blown prog-rock wouldn't be taken until a year later on THICK AS A BRICK, the degree to which Tull upped the ante here is remarkable.The lyrical concept here--the hypocrisy of Christianity in England--is stronger than on most other '70s conceptual efforts, but it's ultimately the music that makes it. Tull's winning way with a riff was never so arresting as on the chugging "Locomotive Breath," or the character studies "Cross Eyed Mary" and "Aqualung," which portray believably seedy participants in Ian Anderson's story. The fable imagery of "Mother Goose" and the vitriolic anti-authoritarian sentiments of "Wind Up" both serve notice of Anderson's willful iconoclasm and his disillusionment with the spiritual traditions to which he was born. Varied but cohesive, AQUALUNG is widely regarded as Tull's finest hour.
Editorial Reviews
4 Stars (out of 5) - ...occupies a special place in the idiosyncratic Tull pantheon. Many of its key songs have been lionised in live sets....The smaller stuff stands up well too...
Q (07/01/1996)
...Demonstrates a new maturity in Ian Anderson's songwriting as he draws together disparate folk, jazz and heavy metal influences. The tramp on the cover quickly became the Tull persona in the public mind...
Mojo (03/01/2001)
4 stars out of 5 - ...They were the most frazzled British art rockers of their day...
Rolling Stone (10/11/2001)
4 Stars (out of 5) - ...occupies a special place in the idiosyncratic Tull pantheon. Many of its key songs have been lionised in live sets....The smaller stuff stands up well too...
Q (07/01/1996)
4 stars out of 5 - ...They were the most frazzled British art rockers of their day...Q (7/96, p.140) - 4 Stars (out of 5) - ...occupies a special place in the idiosyncratic Tull pantheon. Many of its key songs have been lionised in live sets....The smaller stuff stands up well too...Mojo (3/01, p.57) - ...Demonstrates a new maturity in Ian Anderson's songwriting as he draws together disparate folk, jazz and heavy metal influences. The tramp on the cover quickly became the Tull persona in the public mind...
Rolling Stone (10/11/2001)
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