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Much Afraid [ECD] (Jars Of Clay, 1997) 
Jars Of Clay - Much Afraid [ECD] (CD 1997)

 
Jars Of Clay - Much Afraid [ECD] (CD 1997)

Title: Much Afraid [ECD]
Artist: Jars Of Clay
Record Label: Silvertone
Release Year: 1997
EAN: 5013705911323
Genre: Rock/Pop
Product ID: EPID3962794
Description: MUCH AFRAID is an Enhanced CD containing both a full audio program as well as multimedia computer files.Jars Of Clay: Dan Haseltine (vocals, percussion); Matthew Odmark (guitar, mandolin, background vocals); Stephen Mason (guitar, bass, ...
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Track Listing
1. Overjoyed
2. Fade To Grey
3. Tea And Sympathy
4. Crazy Times
5. Frail
6. Five Candles (You Were There)
7. Weighed Down
8. Portrait Of An Apology
9. Truce
10. Much Afraid
11. Hymn

Details
Number of CDs:1
Producer:Stephen Lipson
Recording Type:Studio
Distributor:Sony Music/Arvato Services
Recording Mode:Stereo

Album Notes
MUCH AFRAID is an Enhanced CD containing both a full audio program as well as multimedia computer files.Jars Of Clay: Dan Haseltine (vocals, percussion); Matthew Odmark (guitar, mandolin, background vocals); Stephen Mason (guitar, bass, background vocals); Charlie Lowell (keyboards, piano, organ, background vocals). Additional personnel includes: Kate St. John (English Horn); Greg Wells (bass, drums, percussion); Neil Conti (drums).Recorded at The Aquarium, London, England; Secret Sound, Franklin, Tennessee; 16th Avenue Sound, Nashville, Tennessee.MUCH AFRAID won the 1998 Grammy Award for Best Pop/Contemporary Gospel Album.The follow-up to Jars of Clay's almost minimalist first album features a bigger sound, with a wider lyrical scope and a more solid, grownup production (by Steve Lipson, of Sting and Annie Lennox fame). These new developments give MUCH AFRAID a real sense of staying power. The Christian alternative rock group appears to have broken out of the often-narrow confines of the genre. There's a hint of psychedelia on "Overjoyed," some Bee Gees-style harmonizing on "Tea and Sympathy," and lush, '70s rock-esque arrangements throughout. Spirituality plays a more subtle role on MUCH AFRAID, but continues to be a vital theme. On songs like "Overjoyed" it is sometimes difficult to separate the personal from the divine. And that's probably just the way the band wants it.


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