Track Listing
1. Angel Eyes
2. Love Is Just Around The Corner
3. Mam'selle
4. Speak Low
5. Last Time I Saw Paris
6. Somebody Loves Me
7. You Stepped Out Of A Dream
8. I Remember You
9. Love
10. Our Love Is Here To Stay
11. You Made Me Love You (I Didn't Want To Do It)
12. Guilty
13. Easy Street
14. Ev'ry Time We Say Goodbye
15. Laughing On The Outside (Crying On The Inside)
16. After You've Gone
17. Good-Bye
18. There Will Never Be Another You
19. Got A Date With An Angel
20. Something In The Wind
21. Someone Like You
22. Night We Called It A Day
23. Give Me The Simple Life
24. Goodnight Sweetheart
| Details | | Number of CDs: | 1 | | Recording Type: | Studio | | Distributor: | F-Minor; Hot Records | | Recording Mode: | Mixed |
Album Notes
2 LPS on 1 CD: FOUR FRESHMEN & FIVE TROMBONES/FOUR FRESHMEN & FIVE TRUMPETS.Four Freshmen: Ken Albers, Ken Erroir, Bob Flanigan, Don Barbour, Ross Barbour (vocals).Additional personnel: Pete Rugolo, Dick Reynolds (arranger); Barney Kessel, Jack Marshall (guitar); Buddy Childers, Mannie Klein, Uan Rosey, Joe Triscori, Ray Triscori (trumpet); Frank Rosolino, Harry Betts, Jr., Milt Bernhart, Tommy Pederson (trombone); Claude Williams, Milt Raskin (piano); Joe Mondragon, Don Simpson (bass); Shelly Manne, Frank Carlson (drums).FOUR FRESHMAN & FIVE TROMBONES originally released on Capitol (683) in 1956. FOUR FRESHMAN & FIVE TRUMPETS originally released on Capitol (763) in 1957.The 2 landmark albums of 195- contained herein offer exquisite moods and sounds as the formidable vocal force of the Four Freshmen is augmented by equally moving brass work. FIVE TROMBONES illustrates the impeccable affinity between the Four Freshmen and the trombones, as both "sections" effectively slide and glissando profoundly through such classics as "Angel Eyes" and "Mam'selle." Uptempo numbers, such as "LoveIs Just Around The Corner" & "Speak Low," employ the silky grace of the Freshmen's chords in a sweeping swing.FIVE TRUMPETS, finds the Four Freshmen in equally compatible company, as the horns provide a playful counterpoint to the singers harmonies. "Easy Street" find the Freshmen moving rhythmically through with decidedly "cool" fullness and dynamics. It is this coolness of the Four's style that makes them both perfect example of musical trends of the 1950's, but reveals their sound to be so unique as there is just nothing else quite like it these days.
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