
Four Brothers (DVD)
3 of 3 people found this review helpful.
When her army officer husband is declared dead, a grieving widow grows closer to his wastrel younger brother. Intense family drama from award-winning Danish director Susanne Bier
Some wag on the Internet Movie Database website (imdb.com) cheekily branded Brothers (Brødre) "the Danish version of Pearl Harbor". Sure enough, the basic plot mechanics have much in common with Michael Bay's ludicrous Second World War melodrama: a soldier sent abroad - here Michel Lundberg (Thomsen) is a United Nations Major posted to Afghanistan - is shot down on a mission and presumed dead. The woman he loves - his wife Sarah (Nielsen) - then gets more intimate, in grief as much as love, with his younger brother, only for her husband to be found alive and returned to an awkwardly realigned domestic situation.
Happily, that's where the similarities end. If nothing else, Brothers is a telling example of how the same basic premise can morph into mawkish Mills And Boon fodder in one pair of hands, whereas, when handled with sensitivity and an acute eye, it becomes something truly persuasive and potent. Bier, whose previous release was the acclaimed Dogme 95 film Open Hearts, once again collaborates with screenwriter Anders Thomas Jensen to construct a narrative that defies expectation. They consciously take familiar archetypes - the model son, the black sheep of the family, the pompous patriarch - and shake them up so they're barely recognisable.
There's little interest in creating a guessing game over Michel's fate when his helicopter is shot down in enemy territory. We're shown very quickly that he has in fact survived the crash. The film then follows both his ordeal as a prisoner, and his family's attempt to pick up the pieces, assuming him lost. As Sarah and Michael's younger brother Jannik (Lie Kaas) are drawn closer, Michel is forced to participate in a hideous act of violence. The question after his release concerns not so much his reaction to his wife and brother's burgeoning relationship, but his ability to cope with the greater trauma he suffered.
As with her earlier Dogme 95 film, Bier shows great facility with handheld camerawork, particularly in close-up, to map emotional terrain. Unrestrained by Dogme's puritan code, she's also able to compose some striking imagery - notably a shot of the helicopter crash and the mushroom cloud of black smoke it throws up. That said, this is very much an actors' film and the performances, notably from fellow Dogme 95 veterans Thomsen (the traumatised son from Festen) and Lie Kaas (from Lars Von Trier's The Idiots) are powerful. Nielsen, in her first Danish film, tries hard and is certainly given some juicy scenes, but something in her emoting rings a little untrue.
Verdict
The magnitude of the POW storyline all but overpowers its domestic crisis counterpart, but overall strong performances and confident direction pull the two together to form an impressive whole; not exactly unified but certainly complementary.
Review ID: 10000000006535018

Thank you for voting. If your vote meets our
guidelines, it will be posted within 24 hours.
You cannot vote on the helpfulness of a review you wrote.
Your request cannot be processed at this time. Please try again later.