
Book II: In the Shadow of Young Girls in Flower

The S2 is an interesting, somewhat quirky digital SLR from 2002. In its day it was one of the top six-megapixel cameras, and competed directly with the Nikon D100. In its favour the S2 had a slightly higher resolution, and the JPG output was more vivid and much sharper. Against it, the body was larger but cheaper-feeling, the interface was odd, and it was more expensive. On a physical level it was directly based on a contemporary Nikon film body, but with a digital back added as a sort of cradle, and by modern standards it's a relatively bulky device.
The interface is sound, although there are three things that irritate me. The histogram is small and not the best around (it overlaps slightly less than a quarter of the image on a 1.8" screen, so it's hard to make out whether you have blown highlights). There's no flashing highlights display and there's no proper post-capture histogram, either. You can enable a post-capture histogram, but this forces the camera into a mode whereby you have to explicitly save every image. The only other irritant is that you have to turn the P/S/A/M dial to a separate ISO setting in order to change ISO value. You have to switch back to e.g. A or P to take the shot rather than just pressing the shutter button. The camera will only use memory cards that are 2gb or smaller.
The camera's big strength is that its sensor and JPG processor can produce very vivid, colourful, contrasty JPGs. If you shoot RAW the camera becomes a fairly average six-megapixel SLR, although its colour response still has "pop", for want of a better word. In my experience blue skies look a little bit greeny-yellow and reds are very red, but this isn't displeasing.
The S2 has a six megapixel sensor, although it interpolates the images up to 12 megapixels. The merits of this were debated widely in contemporary reviews, and the general consensus was that its output is slightly sharper and more detailed than other six megapixel cameras of the period, such as the D100 and Canon D60. The debate is basically meaningless as of 2009.
The camera works fine with Nikon's older flash units. If you have one of the pre-digital SB flashes - I have an SB-24 - you can use it in TTL mode and it works. Unfortunately the body only allows for one stop of flash exposure compensation. The viewfinder has on-demand gridlines, although the viewfinder itself is relatively small. The body is plastic and feels cheap.
It's not bad at higher ISOs. ISO 1600 is a stretch, but ISO 800 is perfectly okay if you expose to the right. If you boost shadow areas you end up with banded noise. The in-camera noise reduction makes JPGs resemble the output of a Fuji F30 compact, e.g. obviously smoothed but not ugly.
The camera has an odd battery system. You're supposed to use four AAs plus a pair of CR123s, although the camera will work with just four AAs. I like the fact that it uses AAs. I can interchange batteries with my flash unit, and AAs are cheap and will be around forever.
As of 2009 it has depreciated from being an alternative choice for advanced Nikon shooters to being a kind of entry-level alternative to the D40; compared to the D40 it will autofocus screw-drive lenses, but overall the D40 is the superior choice (sadly neither camera meters with pre-autofocus Nikon lenses). It also tends to be overshadowed by the Fuji S3, which captures images with extended dynamic range, and holds its value on account of it being almost unique.
Review ID: 10000000014032295

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