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All rights reserved.| Track Listing 1. Runaways 2. Ball And Chain 3. Senses Working Overtime 4. Jason And The Argonauts 5. No Thugs In Our House 6. Yacht Dance 7. All Of A Sudden (It's Too Late) 8. Melt The Guns 9. Leisure 10. It's Nearly Africa 11. Knuckle Down 12. Fly On The Wall 13. Down In The Cockpit 14. English Roundabout 15. Snowman
Album Notes XTC: Andy Partridge (vocals, guitars, keyboards, background vocals); Colin Moulding (vocals, bass piano, keyboards, background vocals); Dave Gregory (guitar, synthesizer, background vocals); Terry Chambers (drums, percussion, background vocals). Additional personnel: Hugh Padgham, Trans De Vente (background vocals).Recorded at The Manor, Oxfordshire, England.Any doubt's about XTC's abilities and directions following their permanent withdrawal from live performance after the release of BLACK SEA were cast aside when this album appeared in 1982. Originally released as a double album (and subsequently formatted onto a single CD), it marked the dawning of their more pastoral phase. However, far from setting aside their rocking grooves, they now came wrapped in a softer blanket, of more intricate arrangements. "Senses Working Overtime" garnered them some airplay in the states, which brought in new fans who were treated to a wonderful range of songs which all featured a judicious mix of electric and acoustic instruments. ENGLISH SETTLEMENT is the band's second homerun in a row. Editorial Reviews NME (05/08/1999) Q (07/01/2001) Q (07/01/2001) | |||||||||||||
Reviews more at www.arcticreviews.co.uk Every generation has an XTC: a brilliant, intellectual, original band plowing their own furrow to general apathy amongst record labels, radio stations and the music buying public. Although it sold well, the Black Sea album which preceeded English Settlement hadn’t exactly hinted at what was to come, the quirky, angular new wave contours and throw away lyrics of Sgt.Rock hinting more at playful irony rather than a desire for social commentary. It was with little relish then that Virgin released the single Senses Working Overtime in January ’82 into a musical world dominated by personality free synthesiser duos and pointless American soft rock and soul. Contrasting starkly with everything around it, Senses.. was unashamedly folk, Andy Partridge’s reedy vocals building to a glorious, table thumping chorus that screamed life affirmation. A hit despite itself, it spoke volumes for the body of work from which it came in terms of song writing quality and point of view. Partridge and creative partner Colin Moulding had taken the bold step of both politicising their music and broadening it’s scope exponentially, drawing in proto-electronica, percussive African rythms, psychedelia and adding the aforementioned traditional folk motifs. The project was also lyrically ambitious too; Runaways dealt with domestic violence, No Thugs in our House of suburban parental denial, Ball and Chain the insensitivity of urban planning whilst Melt The Guns was a more than credible entry for the best anti-war song of all time. Virtually filler free (Although All Of A Sudden and Yacht Dance probably deserve a sideways look) English Settlement is as inventive, diverse, challenging and brave british record as any in the first five years of the 1980’s. The next time a tourist approaches you in the street and asks you to point them towards some faceless landmark as a means of gaining an understanding of the true spirit of this sceptered islands mongrel culture, tell them instead to go home and download this album. As quintessentially british as Chaucer, English Settlement should be on any cultural sub-curriculum in every school in every corner of this country. Review ID: 10000000007880709 Was this review helpful? Report this review Review created: 21/06/08 by: Took me back to the early 80's while @ Uni. Forgot how good they were. Searching for the rest of their back catalogue now. Review ID: 10000000007657772 Was this review helpful? Report this review |
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