
The Enemy - We'll Live and Die...

For those who aren't immediately familiar with The Enemy, this is their first album, released in 2007. Aggro is the stomping opening track and straight away it gives you a flavour of the band's anti-establishment feelings. That's something that runs through much of this album and the follow-up, Music for the People.
Second up is Away From Here, a song you might recognise seeing as it was one of the singles that was released at the time. A song about preferring to be unemployed and free rather than working and somebody's b*tch, Away From Here is both punchy and clever in the way it sticks it to the system. A catchy hook is the icing on the cake of a great track.
Third track Pressure is in the unfortunate position of being sandwiched between two of the best tracks on the album, and it does fail to match them for quality. It's still a good track though and keeps things on the boil with its streetwise lyrics and grungey hints.
Now we come to the heart of the album. Tracks four, five and six are all absolute belters. Had Enough is a real anger-management track. It typifies the anger you might feel with an ex-partner and totally hits the spot with an addictive chorus and instantly anthemic feel. A real crowd-pleaser, this one.
The album's title track, We'll Live And Die In These Towns, is a reflective masterpiece of emasculated anarchist feeling. We all live and we all die in these sh*tty towns, be it London, Birmingham, Glasgow or wherever. Despite it being hard to bear sometimes, the song reminds us not to let times get us down.
You're Not Alone, track six, is the emotional high-point of the record. It's almost euphoric in it's assertion that however hard you're finding life, there are millions of other people just like you in the same boat. Absolutely awesome.
It's Not OK takes a clear swipe at authority figures, simply not bothering to try and hide the verbal attacks on bosses everywhere. Not musically brilliant, and after the previous three it's a bit of a come-down.
There's a bit more in the way of a foot-tapping tune to Technodanceaphobic, while the lyrics put down 'good girls' and 'good boys' as unhappy losers while the bad lads and lasses are out having all the fun.
40 Days And 40 Nights is a good fun tune; very addictive and upbeat. It makes for a great sing-along track and works wonders live! That's the last of the upbeat tracks though as the disc winds down to its conclusion.
This Song is a track written for everyone who feels disaffected by society. Reflective and involving, it adds an awful lot of charm to the collection, blessed with an uplifting element that bonds the music to your heart. Once you reach this point of the album, you should be pretty much sold if you weren't already. (I was in love by track five, to be honest)
Finally, three minutes of Happy Birthday Jane wrap things up. Slower, softer and more melodic than previous tracks, it offers a climax that ignores the angrier bulk of the album's content and instead goes for something completely different. It works a treat, juxtaposing the tail end with the first tracks and creating a sort of yin/yang that fuses perfectly.
As a whole, it's a superb concoction of midlands-bred indie-rock that deserves a much higher profile. A full five stars without doubt. If you take your music with a healthy dash of purpose, this will rock your world.
Review ID: 10000000014558982

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