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Elvis Presley Live On Stage In Memphis (Elvis Presley, 1994) 
Elvis Presley - Elvis Presley Live On Stage In Memphis (CD 1994)

 
Elvis Presley - Elvis Presley Live On Stage In Memphis (CD 1994)

Title: Elvis Presley Live On Stage In Memphis
Record Label: RCA
Release Year: 1994
EAN: 0078635060621
Genre: Rock/Pop
Product ID: EPID3964247
Description: Personnel: Elvis Presley (vocals); Joe Guercio (conductor); James Burton, John Wilkinson, Charlie Hodge (guitars); Glen Hardin (piano); Duke Bardwell (bass); Ronnie Tutt (drums); Kathy Westmoreland, The Sweet Inspirations, J.D. Sumner & ...
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Track Listing
1. CC Rider
2. I Got A Woman
3. Love Me
4. Trying To Get To You
5. Long Tall Sally (Medley)
6. Flip Flop And Fly
7. Jailhouse Rock
8. Hound Dog
9. Why Me Lord
10. How Great Thou Art
11. Blueberry Hill (Medley)
12. Help Me
13. American Trilogy
14. Let Me Be There
15. My Baby Left Me
16. Lawdy Miss Clawdy
17. Can't Help Falling In Love
18. Closing Vamp

Details
Number of CDs:1
Producer:Felton Jarvis
Recording Type:Live
Distributor:Sony Music/Arvato Services
Recording Mode:Stereo

Album Notes
Personnel: Elvis Presley (vocals); Joe Guercio (conductor); James Burton, John Wilkinson, Charlie Hodge (guitars); Glen Hardin (piano); Duke Bardwell (bass); Ronnie Tutt (drums); Kathy Westmoreland, The Sweet Inspirations, J.D. Sumner & The Stamps (background vocals).Engineers: Mike Moran, Gus Mossler, Larry Schnapf, Ronnie Olson.Recorded live at Midsouth Coliseum, Memphis, Tennessee on March 20, 1974.All tracks have been digitally remastered.Elvis Presley concerts during the 1970s were generally highly produced spectacles, with both the performer and his backing band constantly pushed to the limit. The results were exhilarating but generally lacking in nuance. Among Presley's recorded concerts of this period, ELVIS RECORDED LIVE ON STAGE IN MEMPHIS is a notable exception. Performing in his hometown for the first time in thirteen years, Presley gives a revealing performance, chatting with the audience, indulging his taste for gospel music with three impassioned (but not overwrought) numbers, and even dipping into his Sun catalog to pull out a killer performance of "Trying to Get to You." Throughout, Presley seems relaxed while still fully focused on the material, singing with the kind of authority he displayed with less frequency as the '70s wore on. A few goofy selections--Olivia Newton John's "Let Me Be There" and Loggins and Messina's "Mama Don't Dance," for example--mar an otherwise perfect set, but the high points, including a funky improvised ending to "Hound Dog" and blistering versions of "My Baby Left Me" and "Lawdy, Miss Clawdy" far outnumber the low points, making this the best of Presley's many live albums.


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