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From Elvis In Memphis (Remastered & Expanded) [Digipak] (Elvis Presley) 
Elvis Presley - From Elvis In Memphis (Remastered & Expanded) [Digipak] (CD 2009)
Title: From Elvis In Memphis (Remastered & Expanded) [Digipak]
Record Label: Sony Music
Release Year: 2009
EAN: 0886975149728
Genre: Oldies
Product ID: EPID79015723
Description: Personnel: Elvis Presley (vocals, guitar, piano); Reggie Young (guitar); John Hughey (steel guitar); The Memphis Horns (horns); Bobby Wood (piano); Bobby Emmons (organ); Ed Hollis (harmonica); Mike Leech, Tom Cogbill (bass); Gene Chrisma...
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Buy It Now£12.99Free19d 21h 1m
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Track Listing
1. Wearin' That Loved On Look
2. Only The Strong Survive
3. I'll Hold You In My Heart (Till I Can Hold You In My Arms)
4. Long Black Limousine
5. It Keeps Right On A Hurtin'
6. I'm Movin' On
7. Power Of My Love
8. Gentle On My Mind
9. After Loving You
10. True Love Travels On A Gravel Road
11. Any Day Now
12. In The Ghetto
13. Suspicious Minds (bonus track)
14. Don't Cry Daddy (bonus track)
15. I'll Be There (bonu strack)
16. Hey Jude (bonus track)
17. If I'm A Fool (For Loving You) (bonus track)
18. Who Am I (bonus track)

1. Inherit The Wind
2. This Is The Story
3. Stranger In My Own Home Town
4. Little Bit Of Green, A
5. And The Grass Won't Pay No Mind
6. Do You Know Who I Am
7. From A Jack To A King
8. Fair's Moving On, The
9. You'll Think Of Me
10. Without Love (There Is Nothing)
11. In The Ghetto (original mono single master/bonus track)
12. Any Day Now (original mono single master/bonus track)
13. Fair's Moving On, The (original mono single master/bonus track)
14. Suspicious Minds (original mono single master/bonus track)
15. You'll Think Of Me (original mono single master/bonus track)
16. Don't Cry Daddy (original mono single master/bonus track)
17. Rubberneckin' (original mono single master/bonus track)
18. Kentucky Rain (original mono single master/bonus track)
19. My Little Friend (original mono single master/bonus track)
20. Mama Liked The Roses (original mono single master/bonus track)

Details
Number of CDs:2
Producer:Ernst Mikael Jorgensen (Reissue)
Recording Type:Studio
Distributor:Sony Music/Arvato Services
Recording Mode:Stereo

Album Notes
Personnel: Elvis Presley (vocals, guitar, piano); Reggie Young (guitar); John Hughey (steel guitar); The Memphis Horns (horns); Bobby Wood (piano); Bobby Emmons (organ); Ed Hollis (harmonica); Mike Leech, Tom Cogbill (bass); Gene Chrisman (drums); Mary Greene, Donna Thatcher, Susan Pilkington, Sonja Montgomery, Mildred Kirkham, Dolores Edgin, Joe Babcock, Hurschel Wiginton (background vocals).Recorded at American Studios, Memphis, Tennessee in January & February 1969. Includes liner notes by Peter Guralnick, Colin Escott.One month after Elvis' 1968 Comeback Special aired on national television, Presley made the most artistically successful recordings of his later career. In January and February of 1969, he held sessions at American Studios in Memphis. Presley was reportedly worried that his recording career was finished, that he had been displaced by newcomers such as the Beatles. Perhaps goaded on by this perception, Presley reached new heights during the American sessions.The material he chose was impassioned, gritty, and bluesy, the complete opposite of the movie songs he had sung for most of the previous decade. A slight case of laryngitis actually improved his performances, lending his voice an appropriate roughness. Many of the best recordings from these sessions appear on FROM ELVIS IN MEMPHIS, including the hit "In the Ghetto." FROM ELVIS IN MEMPHIS demonstrates how thoroughly Presley could remake a song to suit his talents, especially on the country standards "Long Black Limousine" and "I'll Hold You In My Heart," which he transforms into R&B screamers. This is intense, heartfelt, adult music, much like the blues Presley loved as a kid on Beale Street.

Editorial Reviews
Ranked #190 in Rolling Stone's The 500 Greatest Albums Of All TimeRolling Stone (8/2/01, p.66) - 5 stars out of 5 - ...The studio sine qua non of his late-Sixties comeback period: new as polyester yet old as leather, religiously involved yet flashy as neon, refined like pop yet savage like rock & roll...
Rolling Stone (12/11/2003)


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