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Latin American Suite (Duke Ellington & His Orchestra, 1998) 
Duke Ellington & His Orchestra - Latin American Suite (CD 1998)

 
Duke Ellington & His Orchestra - Latin American Suite (CD 1998)

Title: Latin American Suite
Record Label: Original Jazz Classics
Release Year: 1998
EAN: 0090204706020
Genre: Jazz Instrument
Product ID: EPID4068804
Description: Personnel includes: Duke Ellington, Buster Cooper, Johnny Hodges, Paul Gonsalves, Harry Carney, Lawrence Brown. Principally recorded in New York, New York in 1968. Originally released on Fantasy (8419). Includes liner notes by Stanley Da...
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Track Listing
1. Oclupaca
2. Chico Cuadradino
3. Eque
4. Tina
5. Sleeping Lady And The Giant Who Watches Over Her
6. Latin American Sunshine
7. Brasilliance

Details
Number of CDs:1
Contributing Artists:Ellington, Duke Orchestra
Producer:Duke Ellington
Recording Type:Studio
Distributor:Proper Note
Recording Mode:Stereo

Album Notes
Personnel includes: Duke Ellington, Buster Cooper, Johnny Hodges, Paul Gonsalves, Harry Carney, Lawrence Brown. Principally recorded in New York, New York in 1968. Originally released on Fantasy (8419). Includes liner notes by Stanley Dance.Digitally remastered by Phil De Lancie (1990, Fantasy Studios).The positively ebullient LATIN AMERICAN SUITE was recorded primarily in New York in the middle of the late-1960's--shortly after the band's return to the United States from their first trip to South America, where the Ellington band played Brazil, Uruguay, Argentina, Chile and Mexico. LATIN AMERICAN SUITE shows the profound affect the one-month tour had on the band as well as on Ellington's compositions--most of the tunes here were written during the tour. The Ellington-penned "Chico Cuadradino" features a boisterous trombone solo by Buster Cooper, while the up-tempo opener "Oclupaca," bears horn stabs that would fit right in with the most brash Henry Mancini composition. In homage to one country visited during this tour is "Tina," named for Argentina. The composition flirts with that nation's national obsession, the tango. Perhaps most impressive and kinetic of all on this heated recorded is the closing number, "Brasilliance," a free and frenetic composition Ellington wrote as a nod to the industrial energy of Sao Paolo.


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