
Cloverfield (DVD)
4 of 4 people found this review helpful.
A mysterious and gigantic creature attacks New York in this docu-style monster movie produced by Mission Impossible III director and 'Lost 'co-creator JJ Abrams
In today's media-saturated, internet-focused world, it's rare for a movie to arrive without rumours, spoilers and speculation - but things were very different with Cloverfield.
Six months before its 2008 release, at which point the digitally shot movie had only just begun filming, nobody knew anything about Cloverfield (then going by the name '01-18-08', or just 'Untitled JJ Abrams Project'), other than it being the latest project from Bad Robot, the company of 'Lost' creator Abrams. Then the trailer arrived, an attention-grabbing teaser that still didn't carry the movie's title, and suddenly speculation went wild. The upshot was that a relatively low-cost ($25 million) movie with no recognizable stars ended up generating the kind of anticipation that's normally only attached to big-budget blockbusters.
Does Cloverfield live up to the hype? Well, it may not be revolutionary (it follows the footsteps of The Blair Witch Project), but it's a tremendously well-crafted monster movie that takes the 'ordinary person's perspective of apocalypse' from Spielberg's War Of The Worlds and pushes it further than ever before.
As with Blair Witch, Cloverfield is presented as 'found footage' shot on a video camera, and as the film begins, we're watching a tape marked 'Property of Department of Defence'. The footage is entitled 'Multiple Sightings Of Case Designated Cloverfield' and was recovered from an area "previously known as Central Park", where a party is being thrown for Rob (Stahl-David), a young guy who's leaving New York for a job in Japan. He's still in love with Beth (Yustman), an ex-girlfriend who's brought another man to the party, and a tense confrontation between them ends with Beth angrily leaving to go home.
So far, so normal. But then a power-cut and an earth tremor is followed by tremendous explosions, a massive fireball and the sight of the torn-off head of the Statue of Liberty landing in a nearby street. There's debate about whether it might be a terrorist attack, but it soon becomes clear that something gigantic and monstrous is smashing its way through the city.
While chaos breaks out and everyone tries to evacuate, Rob receives a call from Beth telling him she's badly injured and trapped in her apartment block. As a result, he and three of his friends - including the bewildered Hud (Miller), who acts as cameraman - set out to rescue Beth, and the rest of the footage follows their increasingly hazardous attempts to find her.
The idea of taking a home video perspective on something as absurd as a Godzilla-style giant monster attack is so full of potential, it's amazing nobody's done it before. Cloverfield executes this concept with incredible energy, and while the shooting style allows the film to take certain budgetary shortcuts, it doesn't shortchange the audience on spectacle, delivering some of the most jaw-dropping moments in recent years. This is thanks to the film's illusion of absolute reality. What could have been a standard monster movie taps into a YouTube-inspired culture in which everyone has become a filmmaker.
Verdict
From its unassuming opening to the terrifying finale, Cloverfield is a brilliantly produced thrill-ride that more than lives up to the potential of its 'docu-style monster attack' concept
Review ID: 10000000007662204

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