Track Listing 1. Just Friends 2. Everything Happens To Me 3. April In Paris 4. Summertime 5. I Didn't Know What Time It Was 6. If I Should Lose You 7. Dancing In The Dark 8. Out Of Nowhere 9. Laura 10. East Of The Sun (And West Of The Moon) 11. They Can't Take That Away From Me 12. Easy To Love 13. I'm In The Mood For Love 14. I'll Remember April 15. What Is This Thing Called Love 16. April In Paris 17. Repetition 18. Easy To Love 19. Rocker (I'll Remember April) 20. Temptation 21. Lover 22. Autumn In New York 23. Stella By Starlight 24. Repetition
| Details | | Number of CDs: | 1 | | Producer: | Norman Granz | | Recording Type: | Mixed | | Distributor: | Universal Music | | Recording Mode: | Mono |
Album Notes Personnel includes: Charlie Parker (alto saxophone), Flip Phillips (tenor saxophone), Al Porcino (trumpet), Joseph Singer (French horn), Mitch Miller (oboe), John LaPorta (clarinet), Zelly Smirnoff (violin), Isadore Zir (viola), Maurice Brown (cello), Verley Mills (harp), Al Haig, Lou Stein, Tony Aless, Bernie Leighton (piano), Art Ryerson (guitar), Ray Brown, Tommy Potter, Bob Haggart, Curly Russell (bass), Buddy Rich, Roy Haynes, Don Lamond, Shelly Manne (drums), Diego Iborra (percussion).Compilation producer: Michael Lang.Recorded in New York between December 1947 and 1952. Includes liner notes by Joe Goldberg and Norman Granz.This is an expanded version of the early-'50s album that broadened Charlie Parker's audience by focusing on the beautiful lyricism of his playing. These recordings feature Parker's alto saxophone over a gorgeous bed of strings, but perhaps an even more significant departure is the fact that he simplified his phrasing. His wondrously uncurling ribbons of notes are supplanted by the confident ease with which he embraces each of these melodies, dancing through and around them and never losing their essential character. On an album of back-to-back standouts, "April in Paris" is a towering beauty. Comprised primarily of what were--or have since become--standards, this is as fine a place as any to see exactly why Parker is perhaps the preeminent improviser in the history of jazz.
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