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Patterns (Limited Edition) (Bobby Hutcherson, 1995) 
Bobby Hutcherson - Patterns (Limited Edition) (CD 1995)

 
Bobby Hutcherson - Patterns (Limited Edition) (CD 1995)

Title: Patterns (Limited Edition)
Record Label: Blue Note
Release Year: 1995
EAN: 0724383358328
Genre: Jazz Instrument
Product ID: EPID4055319
Description: Personnel: Bobby Hutcherson (vibraphone); James Spaulding (alto saxophone, flute); Stanley Cowell (piano); Reggie Workman (bass); Joe Chambers (drums).Producers: Francis Wolff, Duke Pearson.Reissue producer: Michael Cuscuna.Recorded at t...
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Track Listing
1. Patterns
2. Time To Go
3. Ankara
4. Effi
5. Irina
6. Nocturnal
7. Patterns (Alt. take)

Details
Number of CDs:1
Recording Type:Studio
Distributor:EMI
Recording Mode:Stereo

Album Notes
Personnel: Bobby Hutcherson (vibraphone); James Spaulding (alto saxophone, flute); Stanley Cowell (piano); Reggie Workman (bass); Joe Chambers (drums).Producers: Francis Wolff, Duke Pearson.Reissue producer: Michael Cuscuna.Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on March 14, 1968. Originally released on Blue Note (1044). Includes liner notes by Michael Cuscuna.This is part of Blue Note's Limited Edition Connoisseur series.All of Bobby Hutcherson's late '60s Blue Note dates are excellent examples of superior ensemble interaction coupled with fascinating compositions. 1968's PATTERNS features the vibraphonist leading a quintet capable of tremendous textural changes and near-classical sophistication. The group offers its interpretation of six spellbinding pieces (plus one extra take of the title track), most of which were composed by drummer Joe Chambers. On this must-have session Stanley Cowell (piano), Reggie Workman (bass) and saxophonist James Spaulding (who also adds beautiful colors on flute) round out the group.Chambers' meandering title track opens the set, with Hutcherson's tasteful rolls supporting Spaulding's lilting flute melody. The harder edge of "A Time To Go" follows. The many dynamic contrasts within the various sections of this piece illustrate the group's tremendous dexterity. Chambers' two ballads, the delicate "Ankara" and the flowing "Irina," are both examples of Hutcherson's graceful touch and Spaulding's pristine flute work. Of special note, Chambers modal "Nocturnal" is a particularly engaging piece featuring an odd time-signature groove grounded by Workman's commanding bass figures. In all, this session demonstrates the epitome of modern chamber jazz before the oncoming fusion era of the '70s.


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