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Highway 61 Revisited (Bob Dylan, 1989) 
Bob Dylan - Highway 61 Revisited (CD 1989)

 
Bob Dylan - Highway 61 Revisited (CD 1989)

Title: Highway 61 Revisited
Artist: Bob Dylan
Record Label: CBS
Release Year: 1989
EAN: 5099746095321
Genre: Rock/Pop
Product ID: EPID3957146
Description: Personnel: Bob Dylan (vocals, guitar, harmonica, piano); Michael Bloomfield Charlie McCoy (guitar); Al Kooper, Paul Griffin (piano, organ); Frank Owens (piano); Harvey Goldstein, Russ Savakus (bass); Bobby Gregg (drums).Engineers include...
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CD Bob Dylan - Highway 61 Revisited (1989)
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BOB DYLAN - Highway 61 Revisited (CD 1988) USA Import
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Bob Dylan - Highway 61 Revisited (CD 1989)
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BOB DYLAN-HIGHWAY 61 REVISITED-1967 ALBUM ON CD;9 SONGS
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Bob Dylan Highway 61 Revisited
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Bob Dylan - Highway 61 Revisited *NEW CD 1989*
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BOB DYLAN - HIGHWAY 61 REVISITED *NEW CD
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Bob Dylan - Highway 61 Revisited (CD 1989)
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Page 1 of 1
Track Listing
1. Like A Rolling Stone
2. Tombstone Blues
3. It Takes A Lot To Laugh It Takes A Train To Cry
4. From A Buick 6
5. Ballad Of A Thin Man
6. Queen Jane Approximately
7. Highway 61 Revisited
8. Just Like Tom Thumb's Blues
9. Desolation Row

Details
Number of CDs:1
Producer:Bob Johnston, Tom Wilson
Recording Type:Studio
Distributor:Sony Music/Arvato Services
Recording Mode:Stereo
SPAR Code:AAD

Album Notes
Personnel: Bob Dylan (vocals, guitar, harmonica, piano); Michael Bloomfield Charlie McCoy (guitar); Al Kooper, Paul Griffin (piano, organ); Frank Owens (piano); Harvey Goldstein, Russ Savakus (bass); Bobby Gregg (drums).Engineers include: Peter Dauria, Roy Halee, Frank Laico.Recorded in Columbia Studios, New York, New York in June-August 1965.Includes liner notes by Bob Dylan.Though 1966's BLONDE ON BLONDE is usually singled out as the most innovative Bob Dylan album, its predecessor HIGHWAY 61 REVISITED is the one that definitively marks Dylan's transformation from progressive folk singer to visionary rock poet. It's Dylan's first fully electric album, powered by the manic intensity of Mike Bloomfield's skull-and-crossbones blues-rock guitar leads and Al Kooper's rich organ fills. While many of the songs are presented in a traditional 12-bar blues format, the lyrics find Dylan finally abandoning conventional linear narrative in favor of poetic abstraction, surreal imagery, and biting sarcasm. In the rock world, there has never been a lambasting harsher or more cathartic than the excoriation of "Ballad of a Thin Man," and no challenge more bold than that offered in the iconic "Like a Rolling Stone." When Dylan invokes the names of Ezra Pound and T.S. Eliot towards the end of the poetic epic "Desolation Row," he's not just name-dropping; he's merely delineating the company in which a work as rich and ground-breaking as HIGHWAY 61 belongs.

Editorial Reviews
Ranked #14 in NME's list of the Greatest Albums Of All Time.
NME (10/02/1993)

...Dylan is in stinging form...
Q (07/01/2001)

Ranked #14 in NME's list of the Greatest Albums Of All Time.Q (7/01, p.45) - ...Dylan is in stinging form...
NME (10/02/1993)


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