Track Listing
1. Black And Street Intro
2. This Is How We Roll
3. No Diggity - Blackstreet & Dr. Dre
4. Fix
5. Good Lovin'
6. Let's Stay In Love
7. We Gonna Take You Back/Don't Leave Me
8. Never Gonna Let You Go
9. I Wanna Be Your Man
10. Taja's Lude (interlude)
11. My Paradise (interlude)
12. Deja's Poem
13. Money Can't Buy Me Love
14. Blackstreet On The Radio (interview)
15. I Can't Get You Out Of My Mind
16. I'll Give It To You
17. Happy Song (Tonite)
18. Motherlude
19. Lord Is Real (Time Will Reveal)
| Details | | Number of CDs: | 1 | | Producer: | Teddy Riley | | Recording Type: | Studio | | Distributor: | Universal Music | | Recording Mode: | Stereo |
Album Notes
Blackstreet: Teddy "Street" Riley, Eric "E" Williams (vocals, various instruments); Chauncey "Black" Hannibal, Mark L. Middleton (vocals).Additional personnel includes: Dr. Dre, Queen Pen, Beverly Crowder, Karen Anderson, Shaquanna Elam, Darryl Adams, ELAN, Lamenga Ford, Shannon Cooper, Deja, Taja (vocals); William Stewart, Sprague Williams, Serban Ghenea, Eric Williams, Wesley Hoggs, Tommy Sims (various instruments); Frank "Nitty" Pimental, Roosevelt Harrell (programming)."No Diggity" won the 1998 Grammy Award for Best R&B Performance By A Duo Or Group With Vocal and was nominated for Best R&B Song.Teddy Riley's fans were begging for a reunion of Guy, the trio with which he brought deep-soul music back to the R&B genre, but Riley chose to forge ahead with his new band, Blackstreet, instead. Wise move. Blackstreet's second album really does take the Riley R&B sound to ANOTHER LEVEL. It's one of the best R&B albums we've heard in a long time.The tracks here are unbelievably funky, and though two of Blackstreet's four singers have turned over since the debut--the new ones are Eric Williams and Mark L. Middleton--the vocal harmonies are breathtaking. Classic Stevie Wonder would be an apt comparison. Riley evokes old-school soul a number of times here--"Don't Leave Me" and "The Lord Is Real" sample the DeBarge tunes "A Dream" and "Time Will Reveal," respectively. But that's not to say Blackstreet doesn't move forward to ANOTHER LEVEL, because with super-producer Riley, of course it does.
Editorial Reviews
...stunning four-part vocal interplay--imagine a West Coast, low-ridin' blend of the Temptations' Motown vitality and the Delfonics' smooth Philly croon--and the virile thump of Riley's jeep-beat programming...
Rolling Stone (12/26/1996)
...a hybrid of old-world soul and new-school hip hop....ANOTHER LEVEL marks Riley's positive reentry into the universe of soul music....Teddy still jams...
Vibe (11/01/1996)
He's back....Teddy Riley...bombards the R&B world....ANOTHER LEVEL is a welcome change from the recycled beats plaguing the current generation of R&B songs....the other level.
The Source (11/01/1996)
3.5 out of 5 - ...superb talents....The exquisitely wonderful 'Happy Song' somehow resembles a black version of 'Mr. Sandman', while 'Paradise' is so concise, Quincy Jones could have created it...
Muzik (11/01/1996)
...stunning four-part vocal interplay--imagine a West Coast, low-ridin' blend of the Temptations' Motown vitality and the Delfonics' smooth Philly croon--and the virile thump of Riley's jeep-beat programming...Vibe (11/96, p.135) - ...a hybrid of old-world soul and new-school hip hop....ANOTHER LEVEL marks Riley's positive reentry into the universe of soul music....Teddy still jams...The Source (11/96, p.140) - He's back....Teddy Riley...bombards the R&B world....ANOTHER LEVEL is a welcome change from the recycled beats plaguing the current generation of R&B songs....the other level.Muzik (11/96, p.128) - 3.5 out of 5 - ...superb talents....The exquisitely wonderful 'Happy Song' somehow resembles a black version of 'Mr. Sandman', while 'Paradise' is so concise, Quincy Jones could have created it...
Rolling Stone (12/26/1996)
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