
I Am Legend (DVD)
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One man and his dog subsist in a near future New York where a manmade virus has killed most of the world's population and transformed others into ravening monsters. Will Smith stars in this latest adaptation of Richard Matheson's classic novel
The movies have given us some classic visions of a world in which human civilisation has been destroyed, and a fair share of them are based on, or inspired by, just one novel: Richard Matheson's 'I Am Legend'.
Published in 1954, the book has been explicitly adapted as 1964's The Last Man On Earth and 1971's The Omega Man. And now we have a film that borrows the original title, even if it excises the novel's reasoning for it. This version is very much 'I Am Legend' for the 9/11 age. Will Smith takes the role previously played by Vincent Price and Charlton Heston.
Where the previous films relied wholly on inventive shooting, this new version is able to depopulate the world and ravage the big city with the aid of CGI. Although the digital effects have a few ropey moments, they enable director Francis Lawrence (Constantine) and his collaborators to create a chilling vision of a Manhattan populated by only one healthy human.
The post-apocalyptic city is first introduced with a lack of thriving city noises: no cars, no horns, no yelling, just birds. Times Square is a meadow, ivy twines its way up the walls, plastic sheeting flaps on hastily quarantined buildings, and the bridges connecting Manhattan to the boroughs are all destroyed.
We find out why in flashback, as Dr Robert Neville (Smith), a lone figure in this 2012 Manhattan, reminisces back to the end of the previous decade. The virus, 'KV', was accidentally created from a genetically engineered cure for cancer. It spread to humans, became airborne, and Manhattan was decreed a quarantine zone. Neville rushed to get his wife (Richardson) and daughter Marley (Willow Smith, Will Smith's daughter) out before the bridges were blown.
In the present, Neville - who is miraculously immune - experiments on rats, and occasionally on the infected remains of humanity. We learn that the virus killed 4.5 billion straight away. Then 588 million 'dark seekers' were created, those infected who avoid the light but hunt for live flesh by night and have consumed most of the remaining healthy humans.
The dark seekers are not unlike 'the infected' of 28 Days Later, as Danny Boyle and Alex Garland drew very much from Matheson's story (as well as from Romero's zombie films, which were also in part inspired by Matheson).
Unlike the monsters of 28 Days Later, these folks are digitally improved - they're bald, loud and very formidable, fast and agile. Dash Mihok (Hollywoodland) is unrecognisable as the nastiest of the lot, exhibiting leadership and organisational skills, and thus demonstrating they are not just mindless beasts. It's all looking very bleak for Neville, who's only company for most of the film is his loyal Alsatian Sam (an animal who really should get a Best Supporting Animal Oscar for a great turn).
Verdict
A film that blends a blockbustery bluster with a gaunt apocalyptic sobriety to good effect that is only compromised by its latter stages.
Review ID: 10000000007662179

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