
Probably the best debut album of the millennium so far.
Review created: 11/09/08(updated 19/07/09)
1 of 1 people found this review helpful.
When record producer James Sanger began working with then-unknown rock band Keane, a radical idea emerged: piano rather than guitar as lead instrument, facilitating greater focus on frontman Tom Chaplin's powerful yet gentle vocals. The departure of guitarist Dominic Scott around that time (he was not replaced) was a catalyst in the evolution of the band's now familiar piano-oriented sound which became the basis for this breathtaking debut album.
Though described by some journalists as "the new Coldplay", Keane's style sounds influenced more by bands popular in the 1980s, such as A-ha and U2.
Hopes And Fears includes 4 UK hit singles, including a couple of the catchiest pop songs ever written; but don't expect the rest of the album to be mere B-side quality (not that Keane's B-sides normally sound B-sidey!) At least 10 of the 12 tracks would be suitable A-side material, from majestic sing-a-long ballads such as the hit "Somewhere Only We Know" through the understated intensity of "We Might As Well Be Strangers" to the ethereal, slightly psychedelic delicacy of "Sunshine". If the melancholic "Can't Stop Now" doesn't quite seem to gel in some parts and sounds more like a work in progress than a completed masterpiece, perhaps it's just because masterpieces are what the preceding tracks lead the listener to anticipate.
The lyrics are subtle, poetic, sometimes enigmatic, and express the complexity of real relationships. You won't find any "We love each other - woo-hoo/ you don't love me - boo-hoo" black-and-whiteness here. Instead, you'll find extraordinary uses of ideas and words like:
"Bedshaped and legs of stone
You'll knock on my door and up we'll go
In white light
I don't think so
But what do I know?"
Occasionally, similar imagery is echoed in more than one song, e.g. "When you forget your name" in Bend And Break, and "Trying to stay awake and remember my name" in Everybody's Changing.
Soaring melodies make good use of Tom Chaplin's impressive vocal range, both in technical and stylistic terms though there is perhaps less experimentalism here than in their later work.
The sleeve includes lyrics (albeit with a few errors) and some superb photography by Alex Lake in grainy monochrome.
Once the songs contained therein get inside your head, they might nestle there for all eternity... but that's no bad thing.
Review ID: 10000000008698366

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